Tuesday, March 6, 2012
Tokyo Sonata
"Tokyo Sonata" is a story set in modern-day Tokyo about the Sasakis, a middle class family of four whose lives were at a crossroad. Faced with the typical problems that usually confront people at some point in their lives, the family is forced to deal with the challenges head-on. And in their own way, they were able find out more about themselves, their strengths and weaknesses, exorcising their individual demons in the process.
The movie provides the viewers with a glimpse into the lives of how a family in a patriarchal society like Japan operates and functions. It also provides us with a look into some of the Japanese Culture's mores, beliefs and values. To an outsider not familiar with Japanese customs, some of the scenes may be offending, especially when it comes to corporal punishment and the influence and power a Japanese father wields over his family.
There is Ryūhei (Teruyuki Kagawa), who had to deal with the shame of being fired from his job when the company he was working with outsourced their operations to China to save money. He decided not to tell his wife about his predicament and continued with his daily routine so as not to burden his unsuspecting wife of his fate. At his age, he struggled to find a new job that would suit his taste and former stature, until, in the end, he is faced with the choice of going hungry or swallowing his pride and taking an honest but 'demeaning' job as a janitor in a mall. He is a proud but complex man: strong on the outside but soft on the inside.
His wife, Megumi (Kyōko Koizumi), often seen wearing an apron, is a traditional Japanese housewife who runs the household, knowing her way around the kitchen but always aware of her place in the presence of her husband. She is kind and gentle when it comes to dealing with her husband and children, but also has the inner strength to withstand reality when fate dealt her a crippling blow.
One of their children, Takeshi (Yū Koyanagi), is a typical 'rebellious but vulnerable teen' who decided to enlist with the U.S. Army, and was sent to fight in Iraq, wherein he found his 'awakening' and followed wherever his heart led him.
On the other hand, Kenji (Kai Inowaki) is a gifted and sensitive child whose musical gift was unbeknownst to his family. He spent his lunch money on piano lessons he couldn't afford, and had to practice with a non-working Roland keyboard that he found in the dumpster. He paid the price for his indiscretion, and while it took the intercession of his piano teacher, his family finally realized his prodigious talent in music and allowed him to follow his dreams.
Although the movie sometimes diverted from its smooth path, Director Kiyoshi Kurosowa deftly wielded the tale of the Sasaki family into a beautiful and touching film, worthy of the accolades that it received in various international film festivals it was entered in.
Over the course of the movie, the Sasaki family descended into the lowest points of their lives: They were confronted with situations that tested their characters' resolve. They were tempted to throw away their core values in exchange for monetary gain. Their experiences left them scarred but unbowed. They had to undergo a purification process to start healing their broken lives, cleanse their souls and re-establish harmony within the family again.
But the Sasaki family's journey towards a new life will have to start through their son, Kenji, and his music. If we have doubts about the ability of music to help us with our inner turmoil, Tokyo Sonata will help erase that. If we have second thoughts about the healing power of music, Tokyo Sonata will surely answer that.
And with Kenji's haunting performance of Claude Debussy's 'Clair de Lune' at the end, there is only one word to sum it all up - Catharsis.
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First Published on Yahoo! Voices
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Labels: Cinemagic, Claude Debussy, Kai Inowaki, Kiyoshi Kurosawa, Kyoko Koizumi, Teruyuki Kagawa, Tokyo Sonata, Yu Koyanagi
Sunday, January 29, 2012
1Q84
Contrary to what people (including some of my friends) thought when they first heard of the book, 1Q84 is not an offshoot of 1984, the dystopian novel that George Orwell wrote decades ago. The title might delude us into thinking that they might be really similar somehow, but the reality is, they're really very different in so many ways.
Or are they?
Haruki Murakami is known to be quite a story-teller with a very wild and fertile mind. In this particular novel; he uncorked his thoughts bottled up inside his brain to let the words flow like fine wine and turned a seemingly simple story (which is quite full of nonsense if you are a realist) into a great surreal fantasy love story.
1Q84...
The characters Tengo and Aomame have a big full plate to eat and digest in front of them. With Tokyo as their playground, they need to get over the obstacles that fate has outlined ahead of them in order to solve the puzzles and answer the questions that have been long simmering and hibernating inside their heads for quite a long time.
1Q84..
The question marks-
The 17-year old mysterious Fuka-Eri and the relationship of the maza and dohta. The paradox of the Little People and the Air Chrysalis. The riddle of the two moons; the large yellow one and the smaller, misshapen green one. And the power of the human touch and the extraordinary things that people will undergo and the sacrifices that they will do to finally find their one true love.
1Q84.
And of course, the graphic and weird S-E-X-U-A-L 'insertions' in the novel that only a Japanese male could conjure are worth noting, too.
Yes, I have toiled, lived, and dreamed in my own supernatural world, a parallel universe of sort for weeks. Ah, the hours that I had to spend and the labor that I had to endure just to get through the 925 pages of what seemed like a journey into the world of black magic and wet dreams.
But I am awake now.
1Q84-2012.
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Labels: 1Q84, BookMarks, Haruki Murakami
Sunday, January 22, 2012
I, Alex Cross
But the brutal murder of his niece once again makes this particular case personal. And Alex Cross and his new girlfriend, Det. Brianna Stone found themselves confronting powerful people with ties to the White House in their search for justice and then some.
Sex, crime, fetish, lies, power and fantasy- this book has it all and is another gem of a suspense- thriller which only James Patterson could weave as he once again imparts his brand of writing to his legions of readers with ease.
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Labels: Alex Cross, BookMarks, James Patterson
Thursday, January 12, 2012
Peek-a-Books #2
"Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers." ~Charles W. Eliot
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Labels: Charles W. Eliot, Peek-a-Books
Sunday, January 1, 2012
Dead Shot
Behind the steady finger that pulls the trigger and the sharp eye that peeks through the crosshairs are men like Gunnery Sergeant Kyle Swanson and the enigmatic Juba, two snipers on different sides of the spectrum but with one common mission- to exterminate anybody on their path with 'one shot, one kill."
Add Baghdad, Black Ops, Al Qaeda, Chemical weapons and the Iranian connection make Dead Shot a good read; a novel that is just all right but still manages to intrigue.
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Labels: BookMarks, Jack Coughlin, Sniper
Wednesday, December 28, 2011
Mission Impossible: Ghost Protocol
Light the fuse...
Boom!
The 4th installment surely was full of fireworks and worth the wait. And on IMAX, this movie was simply spectacular.
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Labels: Cinemagic, IMAX, Mission Impossible, Tom Cruise
Saturday, December 24, 2011
The Lion's Game
In ex-NYPD cop and terrorist Task Force contract agent John Corey, author Nelson DeMille has created a character that is a replica of what a real NYPD cop should be -- brass but effective, wise-cracking but intelligent, and street-smart but knows how to navigate his way in and out of the system. He may be obnoxious to others, but he's also loyal to his job and peers.
Asad Kahlil (aka The Lion) is on a mission -- to kill the men responsible for his family's death, in this case, the pilots and navigators of the F-111s that raided Al 'Aziziyah in Libya in retaliation for Libyan involvement in various attacks against American interests in Europe.
The moment the commercial Boeing 747's 'unusual flight' from Paris landed at the JFK Airport, the game was on and the players were put into motion.
Nelson DeMille plotted this novel with attention to some historical events and data incorporated into the course of the story. The dialogues are laden with cop jargon and street lingo but are also serious and humorous in substance at other points.
In a novel of this proportion, some miscues and inaccuracies are inevitable, but the misses are few and forgivable. And the author has more than redeemed himself with crisp pacing and superb storytelling.
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The Lion's Game (2000)
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